Fiona Bennett, Theatre Correspondent

Jerusalem – A Challenging Evening at Harrogate Theatre

Photo: Anna Weilding Photography
Photo: Anna Weilding Photography
Some plays leave you uplifted, others leave you thoughtful, and some leave you wondering quite what to make of what you've just witnessed. For me, Harrogate Dramatic Society's production of Jerusalem fell firmly into the latter category.

Jez Butterworth's acclaimed play introduces us to a colourful collection of characters living on the fringes of society, centred around the rebellious and larger-than-life Johnny "Rooster" Byron. It's a world of chaos, confrontation and complicated relationships, exploring themes of belonging, identity and a changing England.

One of the real highlights of the evening was the imaginative and atmospheric set. The attention to detail was impressive, with a full-size caravan taking centre stage and creating a wonderfully convincing setting for the unfolding drama. The set had a character of its own, drawing the audience into the play's world before the story began.

The cast also deserves recognition for their convincing performances. Although I found many of the characters unpleasant, irritating and difficult to relate to, the actors brought them to life with considerable credibility. Perhaps that's a testament to their abilities: they made these challenging personalities entirely believable, even if they weren't people I particularly wanted to spend an evening with!

The dialogue was certainly colourful, with an abundance of strong language throughout, including repeated use of the C-word. While the language undoubtedly contributes to the raw and confrontational nature of Butterworth's writing, I found the relentless swearing rather wearing at times. It certainly isn't a production for those easily offended by colourful language!

For me, however, the greater difficulty lay in finding an emotional connection with the story. Despite the commitment of the performers, I struggled to feel invested in the characters or their unfolding lives. Perhaps Butterworth never intended his audience to feel entirely comfortable. After all, theatre doesn't always have to entertain in the conventional sense; sometimes its purpose is to provoke, unsettle and challenge.

While Jerusalem wasn't a play that particularly resonated with me, there was much to appreciate in the imagination behind the staging and the commitment of the cast.

Ultimately, Harrogate Dramatic Society delivered a convincing interpretation of a demanding play. It may not have won me over, but it certainly gave me something to think about.