The album also has room for a few unexpected twists. Spellbound introduces a more atmospheric, psychedelic edge, while We Got Something gets straight to the business of delivering a catchy chorus and an infectious rhythm.
Nestled in Suffolk, Bury St Edmunds is a historic market and cathedral town best known as the final resting place of St Edmund, the Anglo-Saxon patron saint. Its cathedral, St Edmundsbury, is crowned by the Millennium Tower, completed as recently as 2005, and the building is home to a Harrison & Harrison of Durham organ installed in 2010. It is on this instrument that Richard Cook, the cathedral’s Assistant Director of Music, makes his solo recording debut, and he has chosen a formidable calling card.
The opening of Florent Schmitt’s Symphonie concertante takes you by the lapels before you have even settled in your chair: a great clenched dissonance that the pianist has to wrestle into place with both hands. There could be few better guides into this uncharted terrain than Peter Donohoe, who joins the BBC Philharmonic and Yan Pascal Tortelier for a first movement of thrilling, untamed energy in music that most concert-goers will never have encountered.
Shortly before his death, Scotts gave his former pupil the scores he had gathered over a lifetime of playing, and nearly every piece here comes from that bequest. That gives the programme its character. Much of this music vanished from publishers’ catalogues long ago, and what survives in the collection tells you as much about Scotts’ personality as about the concerts he gave. Savage wanted the album to bring back the teacher he knew: a player of charm and dazzling technique, quick to laugh and generous to a fault. He makes a pointed case against the familiar myth of the great teacher as a tyrant at the music stand. This is a recording in praise of kindness in the teaching room, and it is all the more appealing for it.
Like him, I have harboured a soft spot for RVW’s choral leviathan ever since. Forty years on, that opening brass fanfare, followed by the chorus flinging its first great cry towards the waves, still makes the hairs on the back of my neck stand to attention.
When Vaughan Williams completed the work in 1910, no British composer had built an entire symphony around a chorus before. He set Walt Whitman’s prophetic, far-seeing verse adrift on a tide of choral and orchestral sound, and the result is an odyssey on the grandest scale. This release marks the latest port of call in Pappano’s Vaughan Williams cycle with the LSO.
Known worldwide as the mastermind behind the iconic acid-jazz band Incognito, Bluey turns inward for Skint, delivering an honest, raw and triumphant musical masterpiece. Crafted amidst his personal journey and open diagnosis with Parkinson’s disease, the album transforms struggle into artistic resonance, serving as a powerful testament to vulnerability, strength, and the healing power of the groove.
His fifth solo album is a confident, guitar-driven collection that looks at the confusion of the modern world without losing sight of the irresistible melodies that have always been his calling card.
Autumn has finally arrived, but strangely not in its usual dramatic way regarding the weather. The familiar signs are still evident, and they are the reason autumn is my favourite season.
Ben Forster has performed on some of the biggest stages in the world, but there’s still one theatre that gives him goosebumps every time he steps onto it.
Freddie Mercury was a master of theatrical excess, a vocalist of extraordinary power and a songwriter capable of turning the most intimate emotions into arena-sized anthems. Yet behind the flamboyant stage persona was a private individual whose thoughts and feelings were often concealed from public view.
Country music has never been short of nostalgia, but Mae Estes is giving it a fresh spin with her new EP, The 90s Called. Drawing on the voices, stories and unapologetic attitude of country’s golden era, Estes pays tribute to the artists who first inspired her to pick up a microphone.
It is nearly 20 years since former University of Indianapolis football scholarship students turned colourful pop act The Hoosiers burst into the charts with their #5 charting debut single, Worried About Ray. With the subsequent album, A Trick To Life, claiming the #1 spot on the charts, it seemed certain that global stardom beckoned.
Eddi Reader is bringing her unmistakable voice back to stages across England this October, with a run of intimate performances celebrating a career that has continually bridged folk, pop and traditional Scottish music.
Shed Seven are set to play the biggest headline show of their career next May in what promises to be a defining moment for the band. More than 30 years into their career, the landmark show will see the band headline a special hometown show at York’s LNER Community Stadium on Saturday May 29.
An intimate evening of songs and stories, plus an open Q & A session. As lead singer and songwriter of The Stranglers during their golden period, Hugh Cornwell cast a spell mixing fact, history, mythology and ideology within the lyrics of the songs.
Get ready to unwrap the ultimate festive night out as Chesney’s Christmas Cracker lands in town! Pop icon Chesney Hawkes headlines a night packed with feel-good hits, festive fun and pure nostalgia. Expect a high-energy live set featuring all the classics, including the massive chart-topper The One and Only, guaranteed to have the whole room singing along.
20 creative practitioners from across County Durham have been awarded commissions, bringing a new wave of arts and cultural projects to communities. The successful cohort will share £78,000 after being selected for the 2026/27 Cultivate Commissions, which is a joint partnership between Into the Light and North Heartlands.
After its sellout ‘Pay what you can’ performance last year, Opera North has launched a ‘Pay what you can’ Rigoletto, enabling people to enjoy a night at the opera at a price which suits them. Verdi’s popular classic will be performed in full in the stunning surroundings of Leeds Grand Theatre at 6.30pm on Wednesday 28 October.
There are artists who the world loves fleetingly and get remembered for a certain song or a certain moment, then there are artists who become icons with back catalogues that don't just form a soundtrack for one generation, but whose music becomes a soundtrack for moments big and small around the world on repeat. Stevie Wonder falls effortlessly into the latter.
The UK music sector is among the worst of the country’s industries for mothers returning to work after having children, new research reveals. According to data from the Mums in Music campaign spearheaded by international soprano Lola Ganzarolli, only 7% of UK women feel that the music industry good at supporting mothers’ returning to the workplace.
Is democracy in danger? And how do we make sense of our ever-changing political landscape? These are just a couple of the big questions explored by guest speakers at this year’s Raworths Harrogate Literature Festival (11-25 Oct). British politics is undergoing one of its most dramatic periods of change in generations.
A brooding wash of deep, resonating bass white noise was playing as we entered the auditorium as if warning the senses of the drama to enfold. The cloth had a projection of newspaper clippings of real-life serial killer Ted Bundy’s crimes, which changed to clippings of the fictional character Buffalo Bill’s crimes. All this before the play started preparing us for the tale to be told.
For one weekend this month, the most cosmopolitan address in Yorkshire will be a Victorian pavilion perched above the North Sea.
Next month, critically acclaimed dance company Lost Dog will be performing in York Theatre Royal’s Main House for the first time with their unique take on a classic story.
The University of Bradford has created a special playlist featuring 60 artists who performed on campus as part of its 60th anniversary celebrations, including global stars such as Nirvana, U2, Elton John, Mike Oldfield, The Stranglers, The Pretenders, Billy Bragg, Primal Scream and Stormzy.
Westlife turned Leeds Arena into a 25th anniversary singalong, Joe Jackson brought snarl and wit to the York Barbican, and the Burt Bacharach Songbook gave Halifax’s Victoria Theatre a night of timeless melodies, writes Graham Clark There are few bands who can turn 25 years of pop history into something that feels this effortlessly celebratory.
Jamie T Ghosts (100 Days Of Morning) Tracks: 3310, Cocktail, Waist 36 Leg 32, All I Wanna See Is Now, The Won, Chelsea Girls, Ghosts, Crimson & Clover, Crucible, Caught Cheating, Tallahassee Label: Polydor Jamie T has always sounded like an artist with one foot in the present and the other caught somewhere in the past.
The 1980s were turbulent times for the Soviet Union. The death of the Soviet leader, Leonid Brezhnev, in 1981, and the slow-slow-quick-quick-slow waltz of the regime toward its collapse and eventual dissolution in 1992.
Led by the formidable Brijitte West, NY Loose was one of the great underground secrets of mid-’90s New York rock. They had the swagger, the sleaze, the guitars and, crucially, the songs. Their 1995 Loosen Up! EP helped build a devoted following before Hollywood Records came calling, eventually releasing the band’s debut album, Year of the Rat, in 1996. Yet despite touring with the likes of L7 and Marilyn Manson and seeing their brilliant track Spit appears on The Crow: City of Angels soundtrack – the commercial breakthrough never arrived.
There is something fitting about calling your third album Walt Disco. After two records spent pushing, pulling and occasionally losing themselves in different directions, the Glasgow band have arrived at a record that feels less like a reinvention than an acceptance of everything they have already been. It is a statement of identity, certainly, but not one delivered with the certainty of a band who have finally solved themselves. Instead, Walt Disco finds its strength in the messiness of becoming.