Jeremy Williams-Chalmers, Arts Correspondent

Albums: T'Pau Be Wonderful

T'Pau Be Wonderful

Tracks: Read My Lips; Miles & Miles; Showdown; Casual Remark; Stupid Love Song; Be Wonderful; Echo; Run; World On Fire; Say Something

Label: Gnatfish Records



Named after a Vulcan elder from Star Trek, T'Pau has always balanced the cerebral with the visceral. Emerging from Shrewsbury in the mid-’80s, they carved out a distinctive space in British pop-rock with albums like Bridge of Spies and Rage. Now, with their sixth studio release,Be Wonderful, the band don’t just return—they evolve.

This is not a nostalgia piece. It’s a reinvention.

From the opening bars of Read My Lips, there’s an immediate sense of purpose: crisp guitar work, a brooding bassline, and a rhythm section that feels tighter and more contemporary than ever. The production across Be Wonderful leans into a modern sheen without sacrificing the band’s core identity. Tracks are concise, direct, and refreshingly uncluttered—proof that experience has refined, not dulled, their instincts.

Miles & Miles carries a subtle ’90s echo but updates it with funk-infused bass and textured keys, while Casual Remark and Run highlight the band’s ability to craft punchy, groove-led tracks that feel current without chasing trends. There’s a confidence here—T’Pau are no longer trying to prove themselves; they simply are.

The album’s emotional centre lies in its ballads. Showdown and the closing Say Something showcase a maturity in songwriting, allowing space, restraint, and atmosphere to take precedence. Strings, piano, and subtle rhythmic shifts create a cinematic quality that feels both intimate and expansive.

And at the heart of it all is Carol Decker.

Her voice remains one of the most distinctive in British music—rich, commanding, and emotionally precise. If anything, time has deepened its character. There’s a warmth and control here that elevates every track, from the smouldering restraint of Stupid Love Song to the impassioned delivery of World On Fire. She doesn’t just sing these songs—she inhabits them.

That enduring vocal strength makes the recent criticism from Gary Barlow feel particularly misplaced. Following his comments on her live vocal, Decker’s performances—especially her striking run on The Masked Singer—served as a powerful rebuttal. Week after week, she demonstrated not only technical ability but remarkable versatility, reminding audiences exactly why her voice has endured for decades.

Be Wonderful reinforces that point. This is an album built around a vocalist at the height of her interpretive powers, supported by a band that understands space, texture, and dynamic far better than many of their contemporaries.

The title track encapsulates the record’s ethos: confident, melodic, and quietly defiant. There’s “depth, swagger and attitude” here—but also something more important—clarity of vision.

Rather than revisiting past glories, T’Pau has created something that feels relevant in 2026. It’s an album that respects their legacy while refusing to be confined by it.

Be Wonderful is exactly that—a mature, contemporary record that showcases growth in sound and a vocalist whose beauty of tone has only deepened with time.