Classical Music: Neujahrskonzert 2025 / New Year's Concert 2025

Classical Music: Neujahrskonzert 2025 / New Year's Concert 2025

Johann Strauß I Freiheits-Marsch op. 226;Josef Strauß Dorfschwalben aus Österreich Waltz op. 164;Transactionen Waltz op. 184;Johann Strauß II Demolirer-Polka Polka française op. 269; Lagunen-Walzer op. 411; Overture to Der Zigeunerbaron; Accelerationen Waltz op. 234; Entweder – oder! Polka schnell op. 403; Annen-Polka op. 117; Radetzky-Marsch; Tritsch-Tratsch Polka schnell op. 214; Wein, Weib und Gesang Waltz op. 333; Eduard Strauß Luftig und duftig Polka schnell op. 206; Joseph Hellmesberger II Fidele Brüder* March from Das Veilchenmädel; Constanze Geiger Ferdinandus-Walzer* (arr. Wolfgang Dörner)

*First performance at a New Year’s Concert
Muti, Riccardo, & Wiener Philharmoniker
Sony Music Classical 1980287561-1

After allowing some distance from watching the live broadcast I enjoyed with friends in Germany during Silvester celebrations, I've returned to the Vienna Philharmonic's New Year's Concert with fresh ears. This recording marks Riccardo Muti's sixth time at the helm of this storied tradition, continuing an artistic partnership with the orchestra that spans over 500 performances since 1971.

Experience this concert solely through audio. Freed from the visual formality of the Musikverein's gilded hall, one can better appreciate the musical craftsmanship that defines this annual ritual. The recording quality is excellent, capturing the orchestra's renowned warmth with crystalline clarity.

As ever, Johann Strauss II dominates the programme, providing the customary tonic for any lingering New Year's Eve excesses. The Vienna Philharmonic brings its characteristic polish to these performances—every note precisely in place, every phrase meticulously shaped. Yet occasionally one wishes for something beyond technical excellence. The performances, while immaculate, sometimes seem to remain on the page rather than transcending it. Perhaps the ceremonial weight of the occasion inhibits that final spark of spontaneity.

Nevertheless, there are moments of genuine brilliance. The programme features two delightful premieres: Joseph Hellmesberger II's spirited Fidele Brüder March from Das Veilchenmädel and Constanze Geiger's elegant Ferdinandus-Walzer (in Wolfgang Dörner's thoughtful arrangement). Both works prove worthy additions to the Viennese canon, fitting seamlessly alongside more familiar fare.

The recording truly finds its stride in the closing selections. The effervescent Tritsch-Tratsch Polka sparkles with infectious energy, while the obligatory Blue Danube unfolds with stately grace. By the time the audience begins its rhythmic clapping to the Radetzky March, one cannot help but be swept along in collective joy.

For dedicated followers of this New Year's tradition, Muti's interpretation offers a refined, if occasionally restrained, celebration—a champagne that perhaps lacks the most exuberant bubbles but remains unmistakably top-shelf in quality.