Blonde Bombshells of 1943

Having seen the trailers for the SJT, the Octagon Bolton and Theatre by the Lake’s latest production, Alan Plater’s Blonde Bombshells of 1943, I knew I was in for a treat on Press Night.

Oh, what a delight this all female ( including a male drummer, Patrick, in disguise ) wartime swing band story was to experience. Packed with 1940s classic melodies from Glenn Miller to Fats Waller and many more, all the songs were performed live, showcasing the stunning musical abilities of the talented company; the concert in the second half was superb! All credit too, to the sensational set design by Jess Curtis.

Director Zoe Waterman, along with Musical Director Greg Last helped us all in the audience to lose ourselves in the music, with Blonde Bombshells of 1943 offering us a slice of escapism- complete with risqué jokes, without forgetting what the characters, and by default all of us , are seeking to escape. The realistic dialogue and sense of humour gave a fascinating insight into what life was like for women in wartime, and the unexpected opportunities the war gave these women to realise their hopes and dreams instead of a life of drudgery.

We laughed, cried, and tapped our toes along with this exuberant ensemble; we got to know each character individually, and care about them, and share in their joy as they were a sensation at the end of “A hellava day”, getting to play their important gig at the BBC.

Stacey Ghent was sensational as Miranda, and absolutely spiffing in her role, living in a bubble of privilege, unaware of others; so many hilarious moments – comedy gold! Lauren Chinery was a delight as Elizabeth /Liz, and we really took her to our hearts. Georgina Field had a field day portraying no-nonsense Band Leader Betty, with Gleanne Purcell-Brown coming into her own as a bubbly banjulele player and singer. Rory Gradon was dynamite as draft dodging drummer Patrick, yet showed his vulnerable side too, particularly when finally confronted by Vera and Grace ( wonderfully portrayed by Sarah Groarke and Alice McKenna ). Verity Bajoria was delightfully dry as May – don’t mess with May was her motto!

Blonde Bombshells of 1943 is guaranteed to have you leaving the theatre with a swing and a smile, and admiration for such a stoic generation.